These are the word of George Lois, well known for Esquire Magazine, Tommy Hilfiger and his biting and intense presence.
Lois was one of a dozen advertising giants featured Friday night at the Portland premiere of Art & Copy, a new film that told the story of the ad industry and some of its most prominent innovators. The film was precise, well-cut, and very entertaining. There wasn’t a dull moment. It was also very familiar, as there was quite a bit of footage from Portland’s Wieden+Kennedy, as well as interviews with founders Dan and Dave.
David Kennedy opened the film and introduced the audience to a video of Dan Wieden, who apologized for not being able to be there. He told us we were in for a great surprise, and we were. Kennedy was also there after the film to answer questions from the audience.
The story of Bill Bernbach started with an overview of the ad industry before and after he became involved in it. It was explained that advertising was saturated with ingrown mediocrity. Only those from the right school with the right connections could participate, and Art Directors has no input in the creative process. But he had a tremendous way of understanding how to cut right through the tradition in the way of a product selling. He put Art Directors together with the Copywriters and changed everything.
Highlights of the film included interviews with Mary Wells, a copywriter for McCann Erickson. Her advertising campaign, “The End of the Plain Plane” for Branff International Airways was a turning point in the airline’s success. She explained that her origins in theatre largely contributed to how she approached advertising.
Viewers were introduced to Lee Clow of TBWA\Worldwide, whose biography was covered via scenes of sun, surfers and sand. His entrance into the world of advertising seemed like a vibrant color in a mess of gray soup. A smell that woke up the senses. It also marked him as a ‘dangerous person’ within the confines of the agency he originally worked for.
“I think fear is a very great depressant. It is okay for ideas to get killed. Ideas are supposed to be killed. But it is important to be in an environment where one has a community where they can get help in picking themselves off the floor”.
-Mary Wells
Hal Riney’s interview and work left the audience completely absorbed and silent, especially after viewing “Morning in America”, Ronald Reagan’s 1984 Presidential re-election campaign.
Dan Wieden talked about some of the more interesting effects of the “Just Do It” campaign, especially those that extended beyond sports. Some of them included
Rich Silverstein was a stark and minimalist contrast to Jeff Goodby, who was interviewed in what looked like the agency’s server closet. They talked about the “Got Milk” campaign as the camera cut between Silverstein’s almost neurotic antics and Goodby’s relaxed creative messiness.
No character was as extreme as George Lois, who shocked the audience again and again in ways that are much better explained through the screen.
Expect a pleasant and enlightening journey through some of the most successful ad campaigns in history.
-The real history of the phrase “Just Do It”.
-The great Greek guy from New York.
-A great quote from Dan Wieden at the end.
-David Kennedy explaining the Totem Pole in the middle of the W+K atrium.
-An introspection into the secret lives of billboard rotators.
-TBWA\Chiat\Day and the story behind Apple’s ad campaigns
Dan Wieden, Dave Kennedy, Lee Clow, Rich Silverstein, Jeff Goodby, Bill Bernbach, George Lois, Mary Wells, Hal Riney and others.
You can see it at one of Art&Copy’s various showings.
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Amber Case is a cyborg anthropologist, consultant, writer, and analyst from Portland, Oregon. You can contact her at caseorganic at gmail.com, or on Twitter at @caseorganic.
I’m going to review the event anyway (or at least provide information for others who couldn’t make it), as well as use some great pictures taken by Haley Lovett. I’m including them here, so you can understand some semblance of the event.
According to a post on the Substance website, “New Communicators are compelled to engage in conversation. They stand taller and stride farther when traversing the current media landscape. They are a mixture of digital and analog. Their message is everything interactive. Everything transmissive. Communicating is a give-and-take, speaking-and-listening, and New Communicators utilize a mixture of new and traditional tools to share their point-of-view with the world. Evolving conversation, they share their ideas, their truths, their lives”.
If you missed it, here’s a Q&A in digital video!
The New Communicators Q&A - September 1, 2009 from The New Communicators on Vimeo.
The gathering was “about the evolution of conversation: exploring the pathways through which an originator interacts with a receiver. These connections can be fulfilling and triumphant; the failures potentially tragic and illuminating. Regardless of the outcome, these experiences are relevant, useful and inspirational. They should be open, discussed and analyzed in the interest of understanding what it means to be a New Communicator”.
From Wednesday, October 28th to Friday, October 30th, you’re invited to hold an event around the theme of Evolving Conversation and explore what it means to be a New Communicator. The intent is to curate events for specific time slots in the mornings (8am to 10am), afternoons (4pm to 6pm) and evenings (7pm to 9pm) across the city. However, if those time slots become filled and you still want to hold an event, we got you covered. Any individual, group or company who wants to be a part of the convergence is welcome to do so and we will promote your events on our web site. Although, get those ideas in early if you want top billing and mentions in press content.
There was a lot of buzz about The New Communicators on Twitter. Some of my favorites:
hillerns: I learned something important this evening. When you invite folks to engage, you begin by asking, “What do you think?” #thenewcom
momothemonster: Great conversations at #thenewcom meetup tonight. Consider my fires officially stoked.
ephanypdx: 2nd thing I learned at #thenewcom: exchanging contact info is so 2004. Now we just follow each other.
Needless to say, I’m looking forward to hosting a session. Although I’m not sure on what yet. You can help me if you want by commenting below.
If that’s not enough for you, here’s a quick Q&A:
We are a group of like-minded individuals who believe the nature of conversation is evolving. It is our mission to illuminate this evolution, educate on how to traverse the new media landscape and inspire others to initiate conversations of their own.
Conversations are any kind of engagement in which thoughts are shared, ideas are exchanged and lives are changed. A Conversation is a dissemination of a point-of-view, a connection with an audience and a reciprocation to the originator. It is how we learn and grow.
Anyone who is compelled to engage in conversation by utilizing a mixture of new and traditional tools to share their point-of-view with the world.
We want to seek out and share the stories of those who have found a way to break through to their audience in an authentic way using any medium, digital or otherwise. Too much emphasis is placed on the technology behind interaction, when it is the content and quality of the conversation that matters most.
We see our role as gracious facilitators providing an online space for participants to promote their gatherings, connect with collaborators and venues, and use our connections in the community to provide a context to share their experiences and promote their ideas.
Looking for 1551 SE Poplar? Here’s what it looks like from outside: http://twitpic.com/g5705
Simply visit The New Communicators, or follow them on Twitter at @thenewcom, and the hashtag #thenewcom.
This morning I met with Brooks Gilley, Partner and Managing Director of 52ltd Portland’s only locally owned and operated full-service staffing resource for the creative industry. We had a great discussion on how marketing is changing, and how some companies really ‘get it’, or at least attempt to experiment with this strange new medium, while others are left behind.
We were meeting to talk about a creative event that will be occuring on May 27th at Univeristy of Oregon’s White Stag Building in downtown Portland. The event will feature four panelists from fields ranging from advertising, social media and sociology/anthropology. I’ll be on a panel discussing cyborg anthropology, new media frameworks, and changes in marketing in the digital era.
I’ll be speaking with a variety of others, including an executive from Crispin Porter + Bogusky (the agency that worked on the infamous Facebook Burger King Whopper Sacrifice campaign).
Other panelists will include the Directory of Interactive Media for the Portland Trailblazers (whose community engagement strategy has been quite impressive), as well the possibility of a professor of Sociology from Portalnd State University, but I am unsure of his name yet. All told, the event should be a great chance for all of us to share different perspectives and strategies with each other and an audience of creatives, freelancers, and marketers.
I’ll post more details as the event nears, but it should begin at around 6:15 Pm at the White Stag Building on NW Couch street. There will be ample time for networking, so if you’re excited to meet new people, come on out. It is a free event too, so you’ve got nothing to lose. Check the 52ltd website for details as May 27th approaches, and if you’re looking to hire a creative or looking for a creative gig, consider making an appointment with them.
If you have any questions you’d like us to cover on the panel, feel free to E-mail me at caseorganic [at] gmail [dot] com, or simply reply to me at @caseorganic on Twitter.

Hence, the following sound byte.
Grmfwklsnaxp is a concept that is becoming increasingly important. Since its first incarnation only a week ago, it has increasingly grown in the field of AWESOME.
As Grmfwklsnaxp reaches a plateau of importance, it may begin to enter the vocabulary of everyone around you.
In this case, it would be best not to look ignorant.
This is why It is important to understand how to pronounce the word Grmfwklsnaxp. But we need your help. Well, specifically, we need @mettadore’s help. But since he’s not here right now, we’re left to our own defences.
Thanks for listening.
Just check out what’s already been submitted!
Yep - it’s going to be a great event!
Read more recent topic submissions and submit yours! We’re all excited to see it!The date’s been set. Due to scheduling conflicts (including the event being really close to Thanksgiving) CyborgCamp Portland will be held on December 6th, 2008, at Portland’s CubeSpace, which is at 622 SE Grand Ave Portland, Oregon 97214
You can RSVP for CyborgCamp on Upcoming if you’d like to attend, but note that the formal registration will begin in a few weeks. If you follow @cyborgcamp or @caseorganic on Twitter, you’ll know when you can officially register for the event. If you don’t use Twitter, you can E-mail caseorganic at gmail.com and I’ll personally let you know when official registration is open. There will also be a link from the Upcoming page, so check back in a few weeks.
Volunteer before, during and after the event. Email Bram Pitoyo at brampitoyo at gmail.com or Twitter @brampitoyo We need 3 more volunteers for the morning set-up (7 Am) and take down (6-7Pm).
One room will be devoted to keynote sessions on various aspects of the cyborg (technological, health, spiritual, communication, humanity, etc.), and the other three rooms of the conference will be unconferences, done BarCamp-style
This is an educational mindsharing and networking event that encourages high-level interdisciplinary interaction.
Classrooms, individuals and businesses are encouraged to attend the event remotely. It will be livestreamed through multiple channels and will be archived and tagged for future viewing. Details on remote conference access will be available a week before the conference begins.
Flickr Tag: cyborgcamp
Twitter: @cyborgcamp or #cyborgcamp
All other social media: cyborgcamp
This episode features Steve Gehlen, Founder & Producer of Portland’s Inverge: The Interactive Convergence Conference that will occur on from 8Am-5Pm on September 4+5, 2008 at the Gerding Theater at the Armory (128 NW 11th Avenue), and Cre8Con,
Steve Gehlen had many great things to say about the future of Portland, the creative and tech community, and how he first got into technology. He mentioned MIT, convergence culture, and the importance of community. Then, as a surprise, he took out a banjo and played us as song, making this episode the first musical Hazelnut Tech Talk since Derrek Wayne’s brief interlude into HTT Episode 2).
Steve has had the unique position of pioneering the entrance of technology into enterprise businesses. He is also the president and founder of Portland’s Internet Strategy Forum.
If you happen to be attending Inverge, I (Amber Case) will be speaking at 1Pm on Friday, the 5th of September. The presentation title will be “From Telephone to Tweetup: an abbreviated history of technology and social exchange“.
Scott Kveton, Chairman, OpenID Foundation, VP of Open Platforms, Vidoop.
And…
Portland’s extremely talented Raven Zachary, Principal, Raven.me, will also be speaking on iPhone intelligence.
You can still register for Inverge if you like.
Hazelnut Tech Talk was recorded this weekend at SOUK, a coworking space for Portland freelancers, independent consultants and entrepreneurs.
SOUK offers hourly, daily and monthly work space and meeting rooms and is centrally located in Old Town Chinatown. It’s also very quiet, open, and full of comfortable chairs and desks. Contact. Website. (Shh…there’s also a summer special that gives you $250/month for a full time membership).

Around the world geeks have been putting together Ignite nights to show their answers. But Portland’s own event, Ignite Portland, will be happening soon, and it is a chance for locals to make short presentations on anything they are passionate about.
November 13, 2008. On the Ignite Portland Blog, Josh Bancroft urges Portlanders to Save the Date.
Local tech legend Raven Zachary told me that Ignite Portland was founded by Brady Forrest of O’Reilly. He was initially inspired by Japan’s rapid fire presentation method of Pecha Kucha and did an adaptation of that for technology. If you haven’t heard of Pecha Kucha before, it is Japanese for the sound of conversation. Attendees watch a speakers that have only 20 slides, with 20 seconds per slide.Portland Pecha Kucha Night was just last week.
Portland, Oregon has had some of the largest events in Ignite history. Ignite 2 packed the Bagdad Theatre with over 750 people, and many waiting in line had to be turned away.
Several alumni of Ignite Portland will be presenting their five minute topics at this week’s Gnomedex 8.0, an annual social media conference organized by Chris Pirillo. Rick Turoczy has a list of the presenters on his blog, Silicon Florist, and Portland Ignites Gnomedex on TinyScreenfuls, the blog of Josh Bancroft, who points out that “The idea for Ignite Portland was hatched at last year’s Gnomedex.”
November 13th may seem like a long time away, but Ignite events take a tremendous amount of effort to pull off. Want to be part of the event and meet some really cool people in the process? The Ignite Planning Committee is always open to dedicated, passionate volunteers. Help make this Ignite Portland even better than the last three.
The Ignite Planning meeting that occurred at Cubespace tonight was there primarily to deal with a system in large demand. The first major thing discussed how the online ticket reservation system would function. Then, volunteer teams were developed. Currently, they are as follows:
Raven Zachary, Mentor iPhone developer and recently of Raven.me, an iPhone development blog. You can follow Raven on Twitter. He’s also a Legion of Tech Board Member.
Tasks
Josh Bancroft, Mentor of Intel, Kindle Evangelist, and author of the TinyScreenfuls Blog, and Legion of Tech Board Member. @Jabancroft on Twitter.
Tasks
Todd Kenefsky, Mentor CEO of Connect Interactive Media, an interactive marketing company, and Legion of Tech Board Member.
Tasks
Dawn Foster, Mentor, Consultant, FastWonder blogger, Legion of Tech Board Member, and recently, of Shizzow, an micro-geolocation released last Monday (a review of its beta release is here).
Tasks
Adam Duvander also has a hand in organizing Ignite Portland events and has presented in past Ignites. Check out his blog, Simplicity Rules, and Adam’s Twitter profile.
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For more information, check out the Ignite Portland Website.
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Please let me know if I missed anything in this post. Feel free to contact the Mentors via Twitter if you’d like to add to the volunteer efforts.
You can follow me on Twitter @caseorganic. I’ll be on the Marketing and Sponsor Teams.
Thanks for reading Hazelnut Tech Talk! We’re proud to bring you event coverage from a mix of creative and tech worlds.
This particular session was located on NW 8th and Couch Street in artists place that was currently under construction. There was a random amalgamation of wooden benches on the floor facing a large presentation screen. The event was free, and so was free wine and beer. Not bad for a Tuesday night of entertainment!
At 6:30Pm the room was already filled to capacity. There is a large oriental carpet in front of the large projection screen, and the audience overflow is sitting on it.
Pecha Kucha is a Japanese word for the sound of conversation, or chit chat.
It is a presentation technique in which the presenter shows 20 images for 20 seconds each.
In this way, an audience can absorb a large amount of information very quickly, because interest is kept up by the rapid change of images and speaker engagement. It’s a way to remove the annoyance that a standard Powerpoint presentations often bring to standard meeting experiences.
Brahe received his B.S. in Architecture from Portland State University, and he has a passion for ethical design and strives for a better way to build.
His presentation started with an audience participation exercise. He had the right side of the room begin to snap their fingers, and got the middle of the room to begin rubbing their hands together. He made the left side of the room made slap their thighs. Then he urged everyone to do their part faster and louder, until the place was filled with a great amount of percussive noise.
Then he made everyone stop.
There was dead silence and darkness; then the first slide showed up on the monitor.
The presentation involved architecture. One of the best slides demonstrated a beautifully formed pedestrian bridge that had been built over a freeway near Ft. Vancouver. He said that this bridge would be opened to the public soon.
The image of the land bridge spanning over the highway was intense. It looked as if green grass had grown all over the highway in an organic arch, partially eroding away the concrete. In reality, the bridge was allowing animals and humans a way to cross over previously impervious territory.
There were a number of other architectural projects shown, including a tall bird observation tower in the middle of the forest with a long ramp all the way to the top. Brahe is also employed as a project manager with Maya Lin (the architect behind the Vietnam memorial in Washington D.C.) on a multi-sited art and architectural installation.
This presentation detailed a future interactive installation at the Disjecta art space in North Portland. The show encourages viewers to “See, feel, open, and act”, and “Find words that begin to transform the present”.
“We abolished slavery, except as a punishment for crime”, the presenter said.
The pieces were about bridging the gaps in multicultural understanding in Portland. One of the most poignant lines: “Don’t let anyone forfeit untapped potential”.
The art show opens Saturday, the 23rd of August from 6-9 pm at the Disjecta. 8371 N Interstate Portland Oregon 97217.
Gallery Hours are Fri-Sun Aug 24-Oct 25 / 12-6 pm, and the Artists Talk is Wednesday, October 1st at 7 pm.
Bill Dieter started Terrazign, Inc., a Portland-based industrial design firm in 1994. The firm works primarily with fabrics and hard woods. His interest is in “integrating the worlds of hard and soft”.
One of the first slides demonstrated a trade show booth for a snowboarding company. He was able to integrate zippers into the polished plywood panels to allow the tradeshow display to be zipped together into a study shape and unzipped
into an easily transportable shape once the trade show ended.
“This is the only time I’ve ever gotten splinters from sewing”, he added with a smile.
He showed off other industrial objects from his firm, including an all-weather enclosure for Segways that made the little personal vehicles look even more ridiculous——>in a good way. Here’s a link to an article (and photos) of the invention on Engadget called Meep Meep.
The next series of slides ranged from inflatable car seats for toddlers (saving time, space, and weight), and Compression backpacks, which do pretty much the same thing while looking awesome at the same time.
He outlined some of the military projects the firm has worked on as well, including a backpack with a hydration frame that made water the structure of the pack.
“This solved the largest issue of military life, which is hydration”. Placing hydration at the center of the bag allowed the soldier the capability to modify what they needed, because the backpack was also modular.
Terrazign created a series of collapsible hurdles for Sparq, a training division of Nike. They’re lightweight and foldable, and can withstand and structure serious training.
They also developed weight vests, which were made from monofilament fiber mesh that allows for air flow.
Perhaps the most interesting part of Dieter’s presentation involved images of NASA members training for space missions on vertical treadmills. The treadmills were developed by Terrazign to create artificial gravity and the ability to retain bone density while in space. The vertical treadmill is effective because of its capability to simulate gravity equal to body weight.
A group of guys that were playing a series of Mexican folk songs on guitars strode by the event space while we watched a man running on a vertical treadmill on the screen. It was a strange juxtaposition of elements that made the audience consider really what they were looking at.
You can see images of the Vertical Treadmill at the NASA Website.
Severin began by telling us that he was going to do a presentation about Italian Airplanes. He was wearing a leather coat, airplane goggles, and a big black biker helmet.
Apparently, he was a Vespa enthusiast. He showed pictures of pinup women riding the bikes, and even had a whole series of them inside the presentation space. The entire presentation was developed with a zany Swiss accent, which made his ability to make the crowd laugh even greater.
“Who thinks a Vespa is a toy?” he smiled, “I don’t”.
He showed an image of his group of Vespa riders doing all sorts of interesting activities, and then one of his personal collection of Vespa bikes.
“The best thing about a Vespa scooter?” he stated, “You have four…or ten”.
Want to join the fun? Check out the Portland Vespa Group for more adventures.
“I’m going to do a presentation on Contemporary Classical Music. It’s kind of an oxymoron. Contemporary and classical shouldn’t go together, but they really do”.
“I figured that it is rather difficult to talk about music, so I brought four pieces to share with you, all of which have something to do with Portland”.
He then began to play each piece. Each song had four slides associated with it - a title slide, a picture of what the often complex music looked like, an image of the composer, and an image of what the original cover of the pieces looked like.
These four elements caused a greater understanding of each piece than if simply the music had been played alone. The images of the composers were probably the most compelling of all of the images.
Two Celebratory Fanfares (1995)
Composer: David Dzubay (b. 1964)
Performers: John Rommel, trumpet, Edmund Cord, trumpet, Thomas Brown, trumpet, Richard Sandals, trumpet, Amy Schendel, trumpet, Robert White, trumpet, David Dzubay, conductor.
Incidental Music to Corneille’s Cinna (1955-1957) whose cover looked like an old book.
Composer: Lou Harrison (1917-2003)
Performer: Linda Burman-Hall, tack piano.
theater of mineral NADEs [excerpt] (1998)
Composer: Eyvind Kang b. 1971.
Performers: Eyvind Kang
Here, Packwood showed an image of one of Kang’s conceptual sketches. It was as intense as the image of the composer. Extremely detailed and poignant. It told the story of the composer’s mind almost as well as the music.
Open up your Ears. Composer: Bryan Johanson.
Performer: David Starobin, Guitar.
This was an overwhelmingly beautiful piece, and it was a classical piece inspired by a line in the Jimi Hendrix song ‘Can You See Me?’.
Packwood’s presentation was excellent because he chose to let the music speak for him.
If you want to learn more, please check out Packwood’s site Art of the States.
Greg received architectural training from Tulane University, RISD, and , most recently, the Bartlett in London. He has created exhibits and installations shown in venues from Tyron Creek to AIA Portland Gallery to the recent “PDXplore: Designing Portland” exhibit at PNCA. Before moving to England, Greg worked for Hoist Architecture.
Barton was attending Tulane University in New Orleans until Hurricane Katrina displaced his life. The event that caused 81 billion dollars in damages is still affecting the lives of many residents.
He reminded the audience that the hurricane has not finished its toll on the residents of New Orleans. There are 150,000 families still living in FEMA trailers, with an average of three per trailer. Many refugees live in FEMA villages, or “FEMA-villes”.
A far cry from the luxurious representations of trailers from the 1950’s in advertising, there are many health hazards present in trailer life. For instance, Formaldehyde exists in dangerous levels, and there have already been many C02 related deaths.
He then showed how pragmatic restraints began to reshape the public sphere. Some families had placed white picket fences or stone lions in front of their temporary/permament trailers in an attempt to trick their minds into feeling like they had an actual place to live.
Meghan Sinnot came to Portland from Alaska and attended Lewis & Clark college to study Anthropology. Since it was way up on a hill, it was not easy for her to explore the surrounding Portland area without taking a long trek downtown on the college-supplied bus.
Then, Meghan discovered biking. Now she is an part of SHIFT, the Portland bicycle advocacy group.
She began the presentation by taking out a bike and pedaling on it while telling the room about her history.
“Who rode a bike here today?” she asked us. Many hands went up, including mine.
“What we do here at SHIFT is basically an ad-hocracy,” she stated, “but we do have a stash of cash in someone’s basement that they let us get at sometimes”.
She talked about the group’s attempts at serving breakfast to bike commuters on the bridges in the morning. And she talked about Critical Mass, Zoo Bombing, and Pedapalooza—a few of the great Portland bike events that serve the educate and create a nice ground for future bike advocacy.
“In Guadalajara,” she said, “there is one vehicle for every three citizens”.
You can find out more about Portland Bike Culture at shifttobikes.org.
One of the presenters was masked, and the other unmasked. They talked about the modern condition, asking questions such as, “does the mask control the wearer?” (or does clothing or career control the subject?), and snapshot culture. Click Click Click Click Click Click. Tick tock, Tick tock.
I would write more, but I can’t really describe what they said in the way they did. I was very impressed though, so I am including some links to their work here.
Read more about TJ Norris, and his show at the New American Art Union. There’s also an article history for Chas Bowie at the Portland Mercury.
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I highly recommend attending any Pecha Kucha event. If you’d like to learn more about upcoming sessions in Portland or elsewhere, and possibly sign up to present, visit http://www.pechakuchaportland.org/.
For more information regarding ciyscope and upcoming events, please visit www.projectcityscope.org.
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W.PA - Works Partnership Architecture, LLC
Architecture Foundation of Oregon
FordGraphics
A to Z Wine Works (Delicious).
Quixote Investments (add this link).
Rogue Brewery
Art Institute of Portland
Today at 2Pm, all of the members of Portland Advertising Federation’s Colaboratory program presented their final marketing plan to Sameunderneath, a local sustainable clothing company.
Team Lattice showed a 5 minute video about their experiences before delving into the presentation.
Some of the brilliant ideas they came up with were as follows:
“People who give a Damn”
And for people who love music——>Advertising on Pandora.com”
Lattice team members ended by handing out stickers to everyone in the audience, saying, “Please, finish the statements on these “biodegradable, non-toxic stickers” and place them in locations that are poinigiant (and
Ryan Christensen, Founder of Sameunderneath said, “this idea is genius…(holds up the stickers with fill-in blanks) …when I first began Sameundenerath
I was live blogging the Colaboratory Presentation as it happened, and I received a reponse to the stickers from @willtorres from Los Angeles, California.
@willtorres: “@caseorganic yeah, i love the stickers idea a lot. i was going to imitate a project i found with stickers throughout the city.”
Looks like their idea will be a great success.
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Luke Rolka:
Sameundeneath started as an educational curriculum…an idea. Now it has transformed into this business model. This socially responsible business.
“What we want to do is take this and make it big — move it national”.
“We want to take Saemunderneath and turn it into a model of super awesome success”.
Bryan Davidson: Even as Samunderneath grows, there are certain values that must stay the same.
Bryan Davidson’s words were, true, charismatic, thoughtful and provocative, which mirrored exactly the bullet points on the screen.
“You’re not just selling clothes, you’re selling a value system.”
“It is important to keep things small while thinking large. So we propose a new role of Community Director, because the world needs more Ryans.”
Luke Rolka: Consumers these days are really looking for ways to engage in a brand.The director is taking the Sameunderneath values and living and breathing them…becoming the representation of the brand. here in Portland. Then they can take that knowledge and adapt it to a city that they’re going to be running, and see how they can do it there.
Christine Vo: Sameunderneath is known very well in portland right now, but we want to take that internationally.
A way for designers to really get their name out there and show off their work.
This was a decidedly different take then the music /urban street appelation basis of the Team Lattice presentation.
Founding of a Corporate Magazine, each zine with region focus, showing what each of those locations are doing with their local community and the Sameunderneath brand.
Then Unveiled a New Website: in which each of the pages have great design, Documentary Series, Philosophy, Community. “Get Involved” tab.
“What would you say to the world if you had 30 seconds to speak your mind?”
Rebels are encouraged to speak their minds on any subject and submit the video to the Sameunderneath website.
In order for you to grow, you have to engage with the customer. How better than by growing pieces of paper? Flyers embedded with Wildflower seeds. They can be buried in the backyard and have the words, “grow your paper and your ideas”.
“Each city’s flyer will have a different skyline, and we will try to get local artists to do the images for them. At every point, it is important to get local artists to do things for the compay…all these things create sustainable organic growth frr your company.
Then at the end presented a marketing plan roundup which included:
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Now Ryan has to choose. It is a very intense decision. He leaves to use the restroom.
Sameunderneath had a 1.5 million growth revenue last year. The company is interested in affordable and efficient marketing methods for growth.
It all comes down to the customer base. Are they artsy and into film? Are they into music? The marketing plans seem to target slightly different demographics. Lattice presents an urban grassroots music-base, and Kiwi defines the demographic as a more thoughtful, artsy, film-loving creature.
The success of either marketing plan all comes down to what best fits the true demographic of Sameunderneath consumers.
To Team Lattice: One of your best points was the paper; that pamphlet that has the story that goes into the stores to educate the people. Something that each floor sales staff can read to better understand the product.
To Team Kiwi: We’ve been doing flyers since the beginning of the company, but now we’re starting to do personal invitations. It’s a way to say, we don’t want to waste your time with pieces of paper. With a private invite, people have to go out of their way to ask their friends to attend an event, and it is more word of mouth than objective and detached.
Ryan: This is a really difficult decision. They’re two different plans.
I really liked the fact that Team Lattice had the fill-in sticker that told the story of the brand. At the end of the day, it’s a new version of “hello my name is” Things like that are so personal and so engaged with community. It could go anywhere and be filled in with the culture of that community, that space.
To Team Lattice: I thought you ladies did a great job and restrained it to what really matterned.
In addition, your presentation’s marketing recommendations started small and then went big, just like how Sameunderneath should be growing. If you had shown me the magazine in the beginning, I would’ve discounted it right from the start. Do you have any idea how much it costs to publish something like that?
To Team Kiwi:What I really liked a lot was Bryan. You were kind of the leader of the pack. It wasn’t a presentation—you were being you.
Ryan buys enough time to think, and then makes his decision. It is Team Lattice. But he points out that he doesn’t want to make a decision at all, because both teams came up with exceptional ideas.
“I would like each and every one of you to E-mail me,” he says, “and each of you to come to visit my creative team. I want both teams to be there to put in opinions and voice their two cents.”
Ryan added that, “Between now and the end of the month—everything in the store is $20 from now until the end of the month. Just let the store staff know that you’re a member of Colab and this discount will be available to you”.
According to Malcolm McCullough, author of Digital Ground, “Design is the Product”. Design is what people experience, what they see…all text, all seen and unseen material. It is that Psychology of space that design induces that makes a person feel positively or negatively about a space or thing. Online voluntary communities need a base under which to interact. They cannot be forced into acting voluntarily. They must weave themselves into the brand’s story.
I believe Team Lattice did this the best, because they created three distinct and affordable ways in which consumers could weave themselves into the brand’s story while helping to tell that story. The hang tags describing each piece of clothing and the company’s philosophy, the fill-in stickers, and the concert were all integrating factors that weaved the brand into the lives of the consumers.
It has been an amazing experience watching the #Colab members interact with each other and their agencies. I can’t wait to watch how they develop in the future. I’ve never seen such a dedicated and intelligent group of designers work so hard on a project before. Kudos to everyone. Team Lattice and Team Kiwi will go incredibly far, and soon.
Sponsored by the Portland Ad Federation, the COLAB project believes that “Interning at 1 agency is so pre-millennial”, and takes a different route in inspiring the creativity and professional education of its interns.
From the Colaboratory website: “COLABORATORY takes place over 6 weeks in Portland, Oregon. 10 participants are selected and individually paired with 3 of the 11 agencies based on their strengths and interests. Interns spend 2 intensely focused weeks at each agency learning from all disciplines”.
Also check out the Team Lattice business card: It grows with their ideas.

All of the members of COLABORATORY have been blogging about their adventures since their first day. Bram Pitoyo built a way to follow all of the action at once. It also checks the latest Twitter conversation that’s hastagged #COLAB, so you do none of the work and get all the results. Check out Bram Pitoyo’s COLAB Feed Aggregator from Yahoo! Pipes.